MP3/ACC ID Tag issues (iTunes / PS3) – Part 2

If you missed my first rambling, see it here – Part-1

Now in Part 2, I’ve brought back more food for thought and some updated info between PS3’s ability to read MP3 tagging and AAC tagging as well.

So after some further testing, I’ve realized the broken part seems to be in iTunes MP3 tagging forArtwork only.

Setup used:

Windows 7 (and a few pre-encoded files from Vista for comparison)
iTunes 9.0.2.xx (latest as of Jan.5.2010) – Default ID Tag v.2.2 (but tested with 2.3 conversions)
dBpoweramp  13.3 using Lame 3.98.2 and ID Tags v2.3
PS3 – Fat and Slim models (tested on Firmware 3.00 and 3.15) which can read ID Tag v.2.1, 2.2, and 2.3

Here are the results I’ve found (based on MP3 encoding):

  1. A song encoded with iTunes that auto grabs the Artwork and using ID Tag v.2.2 (or even altering the same song to v.2.3) doesn’t show up properly under the PS3 or Windows Explorer.
  2. However, using that very same song encoded in step one, if I copy and paste a graphic from the internet etc. and drop it into the Album Artwork window in iTunes, it will then show up on my PS3 and through Windows Explorer!
  3. I decided to move back to dBpoweramp and run some test encodes/tagging for comparisons. While using dBpoweramp, all ID Tagging worked out of the box, all art work pulled from the net and inserted correctly, which was readable by all applications (iTunes, Black Berry, PS3, Windows Explorer, iPod, Sandisk Mp3 player) etc.

Thoughts:

There’s obviously something different with how artwork is stored when iTunes grabs it from the web (automatically) versus when you copy/paste artwork into the album art window.

I know (and have known) iTunes kept a separate “Album Artwork” folder, but it never dawned on me that they wouldn’t also keep that info in the headers as well.  So it seems when you copy and paste Artwork (vs. Auto-grabbing) in iTunes, it then writes it / tags it in the headers properly.

I guess they were trying to achieve a better way of Artwork storage? I guess we’ll see when I send off my letter to Apple, if they write back.

AAC:

As for the AAC part of this….it’s Sony’s fault, mostly……

While iTunes does the exact same thing with Artwork as the MP3’s, the Artwork doesn’t show up properly no matter what you encode with (dbPoweramp, EAC, etc) as the PS3 is expecting the container to be a 3GP/AAC file! Arrrgggghhhhh my PS3 isn’t a damn cell phone.

So until Sony updates the PS3 (like the later PSP updates) to read the entire m4a container (and tags) properly, it seems we’re out of luck for AAC encoded files (unless you go through a huge mess)

Note: However, there are ways around all of this crap, you could just use a streaming media server, but then we wouldn’t have learned this little bit of info.  😉

MP3/ACC ID Tag issues (iTunes / PS3) – Part 1

This isn’t a guide or how-to article, it’s really just an informational blabber (in two parts), but maybe it will stir some thinking/experimenting with an old friend or two.

While messing around with my PS3 as an AAC/MP3 encoder, I quickly realized it doesn’t pull Art info etc. However, even if it did, I wouldn’t advise using the PS3 as your main ripper/encoder, as it’s always easier to replace standard PC DVD drives vs. a PS3 Blue Ray drive. 😉

Over the years I’ve moved from app to app and codec to codec (Audio Grabber, Lam3 via CLI, batch processing, EAC, dbpoweramp, linux tools with Lam3, OGG and so on) always looking for a great rip/encode combo. It’s funny, I swore off iTunes for encoding funtions until they starting using better versions of an MP3 encoder etc, I also stayed away from AAC, not because it’s not good (as it’s VERY good) but there was so  few players (car/mobile) that could play them (except iPods) etc. Well…..years passed and lots of things started supporting AAC, so I moved to AAC a year or so ago.

Now days, I truly do love iTunes ability to encode AAC/MP3’s (plus managing my iPod Touch) and supposedly Apple supports and uses the standard tagging functions for MP3 ID Tags, well…..at least that’s what it looks like and feels like except for one little minor flaw I found recently.

However,  keep in mind, unlike MP3’s, the AAC group has never set an industry standard as far as tagging goes, but Apple implemented a pretty good format on their own.

ENTER PS3 and Windows Explorer issues:

Continue reading “MP3/ACC ID Tag issues (iTunes / PS3) – Part 1”

More YouTube/Warner Fallout

I got another mention in the Media Post News regarding my Star Wars On a Banjo video being taken down by YouTube due to a complain filed by the Warner Music Group.

“Larry Lessig is not alone,” said Corynne McSherry, an attorney with the digital rights group Electronic Frontier Foundation. “Unfortunately, this is one of many, many, many examples where obvious fair uses get taken down.”

In case you were wondering, I never did file the complaint to get my video back online.  I first contacted the EFF because I had seen an article that they were willing to help people whose content had been taken down.

They didn’t take my case, but referred me to a page of information about what the ramifications might be should I choose to make the claim to YouTube.  In short, I would be opening myself up to getting sued directly by Warner Music Group.  Since they have many more lawyers and much more money than I do, I opted out of that plan.

It’s a shame, really, that something that fell squarely under the “parody” and “fair use” clauses got yanked off the Internet forever, and that there is no recourse for the little guys such as myself.  All I ever did was play the Star Wars them on a banjo, which you would think WMG would like because of the millions of views and propogation of the Star Wars legend.  It was free publicity in a very postivie way for WMG.

Garbage Bear’s Debut

The second of my two bands, Garbage Bear, had our debut performance the other night here in Asheville, NC. The awesome folks at the Grey Eagle shot some video and put a couple of clips on YouTube (thanks Jeff!).

The Whappers news

We had a great time opening for The Trainwreks last night at The Garage last night. We only got asked to turn down once, and the only thing running through the PA was the kick drum and the vocals (hehehe).

Thanks to our ever-present fan Don, we have had a sting of great pictures from each performance in and around Asheville. Here are a couple from the Stella Blue gig a few weeks ago:

On my new Tama Superstars :)

The Whappers

Rocking in Boone, Part I

We pretty much rocked the house at Flipside in Boone, NC last night.  Flipside is a pizza-pub right across the street from the new sports stadium at Appalachian State, and there were tons of summer session college kids crawling all over the place in search of beer and hooking up.  Luckily, The Whappers were there to help facilitate.  And we rocked their Polo shirts and tube tops off, Asheville style.

The best part of the evening was rocking out on my new set of Tama Superstars.  These suckers are LOUD.  24 inch bass drum, the shallow style rack tom, a 16 inch floor tom, and an 18 inch floor tom.  WOW is all I can say.

And, by the way, my older set is up for sale.

We will be back at Flipside on June 19.  Look for us this coming weekend in Asheville at Stella’s!

The Music Biz

Remember the late 90’s, when the Recording Industry Association of America (RIAA), backed by meatheads such as Lars Ulrich of Metallica, decided to go on a suing frenzy to stop outfits such as Napster and Kazaa from enabling people to share files with each other? (Ok, the obvious answer should be “Yes, Will, I sure do!”)

Well, this is funny:
RIAA Pockets Filesharing Settlement Money, Doesn’t Pay Artists Whose Copyrights Were Infringed

In case you haven’t heard, the RIAA soon turned to strong-arming consumers once they had extorted all they could from the file sharing software companies.

The fact of the matter is that they are resisting technology. People want music in a new way. They don’t want it bogged down by Digital Rights Management. They want it cheaply and easily, and the technology to give it to them that way — AND to pay the artists fairly — exists.

Just look at what Radiohead did last year by letting people decide what they wanted to pay for the album, making them an estimated $6 to $10 million. Or see how “Nine Inch Nails make $1.6m on free album” just this month.

Both bands turned their noses up at the record companies and did it their own way. And it seemed to resonate well with the fans.

clicky