What to Expect on Your First Time in a Recording Studio

Are you a musician who has made that all-important step forward and booked yourself time in a recording studio for your first ever session? It’s a huge step, and one to feel proud and excited about, but at the same time, you want to be sure you make the most of the opportunity and show up prepared and ready to work, and be creative.

To help you better understand what your experience will be like in a recording studio, allowing you to plan appropriately, let’s break down exactly how things work.

Be Clear on What the Booking Entails

Before making any sort of booking at a recording studio, it’s important to determine what exactly a booking includes. Will you have self-service access to equipment? What is the quality of the equipment? Do you have to pay a premium to use the equipment? What is the length of time of your booking? What about a space for production, writing, and editing? Is there a vocal booth? These are just some of the things you’ll want to investigate before you make any sort of booking. It ensures that you’re getting what you need, and that you’re getting your money’s worth. It also helps you to narrow down the options and pick the ideal recording studio for you.

For many artists, the best recording studio is the one you can write and produce music in, and take advantage of day rates. These are all the features that Pirate Studio in Brooklyn offers musicians, giving them the tools and the flexibility that they need to make music happen and feed their art. These Brooklyn recording studios are well-known in the industry and have a very strong and respected reputation.

Chat with Your Producer/Engineer in Advance and Have a Plan

Because time is of the essence, you’ll want to head into the experience expecting to get to work the moment you step foot in the studio. Artists are recommended to speak with their producer/engineer in advance and have a plan on what to accomplish in the session.
For musicians, the idea of having a schedule or a plan can seem a bit stifling and doesn’t allow for that natural organic flow, but here’s the thing – you’re on the clock, so forming those creative thoughts and visions in advance can definitely help the session to be more successful.

Make Sure Your Gear is In Good Condition and Ready to Be Used

Because you want to get started right away, it’s also wise to tune up your gear ahead of time and make sure everything is working properly. You could even do a little practice run before you head out to the recording studio, thereby eliminating the need to do so when you arrive.
If you require a lot of gear, make sure you take the time to go over everything you have packed, making sure nothing has been forgotten. Making a list of items you want to take with you can help to alleviate some of the stress. It ensures nothing gets forgotten in the rush of the moment.

Keep the Head Count to a Minimum

While it may be tempting to bring along all kinds of friends to help you out, the fact is that you don’t want the studio to be too crowded and to get too hectic. Try to keep the bodies to a minimum and just bring the people you need to help you make your music. If a person doesn’t add to the process and have a job to do, then they probably aren’t needed in the studio.
The last thing you want is to be distracted while you’re in the recording studio trying to accomplish your music goals.

Don’t Be Afraid to Step Outside the Box

Once you are in the studio and you see all the equipment before you, don’t be afraid to experiment. You can step outside your box, try a different set-up, make small adjustments, and just allow yourself to be creative in the moment. So, while it’s good to have a plan, that plan doesn’t have to be written in stone and there still needs to be room for creative freedom.

Be Sure to Pack Snacks and Beverages

The final tip is a really simple one, but it’s also important. Be sure to also pack some snacks and beverages. You could be in that studio all day so your vocal health and energy level needs to be something you are mindful of.

One of the Best Experiences of Your Life

As a musician, there is nothing quite like the first time you step foot into a recording studio. It’s an impressive milestone, and one that you don’t want to take lightly. Go ahead and celebrate, pat yourself on the back, and then get down to business and make the absolute most of your time in the studio.

My New Single: You’re Not Going Anywhere

https://dynamic.production.hearnow-cdn.com/images/hralb02002895/large.jpg

During this insane quarantine time we are all stuck in the middle of, I started working on a new album that, unlike my last one, won’t be in the electronica realm. Now that I’ve finally built somewhat of a home studio where I can play instruments and be loud without the need to channel everything through headphones, my options are much more inspiring.

That, coupled with this deep, intense angst that many of us are feeling as we are trapped at home under this new but hopefully temporary way of living, led to the following track that I hope you enjoy.

It is available on iTunes, Spotify, Amazon, and all the usual places, but you can also listen to it here:

https://willchatham.hearnow.com/

Ska City at The Odditorium

We played our second show recently, and the good George Hodges produced a fine live recording of it for everyone to hear.

The Internet Archive, the same people who bring you the Wayback Machine, is a great place where live music recording enthusiasts are posting all kinds of great stuff for free listening. Not only is the Ska City show there, but there are millions of other things you can get lost in listening to as well.

Here’s the Ska City show:

https://archive.org/details/SC2019-12-11.m1280.24

And here’s the page you can start on to choose your own musical adventure:

https://archive.org/details/audio

Merle – Lost Recordings

Merle, circa 1992, in Schaefer Dormitory at Warren Wilson College.

Way back in the good years of 1992-1993 or so I was in a band called Merle, based at Warren Wilson College. As a three-piece, we produced some insane sounds, surrounded ourselves with more insane antics, and had a hell of a time doing it.

Merle went on to become The Merle when Morgan Geer joined the band, and our notoriety in Asheville and beyond started to grow. Eventually, I left the band (I was the only one still in school at that point), but The Merle continued on and became an Asheville legend.

An old pal from Warren Wilson (Richard Stowe) recently dug up a tape of a live recordings and some demos that Merle had done from 1992 or 1993. Another old pal (George Hodges) cleaned up the tape, remastered it, and put it out there for you all to enjoy!

Beware: there are vulgarities at certain points, where we asked friends to join us on stage.

Check it out here!

“Smart” Door Lock Drilled Open in 4 Seconds

The most striking (you locksmiths will get that joke) thing about this is that an expensive “smart” lock was made with little to no physical security features in mind. I like how the article points out the difficulty of physically compromising a good-ole-fashioned steel, “dumb” mortise lock.

Is it true that “smart” lock manufacturers are forgetting about physical security when designing locks? Isn’t that the point of a lock?

https://www.pentestpartners.com/security-blog/drilling-open-a-smart-door-lock-in-4-seconds/

Thoughts on OSCP being ‘outdated’

In recent weeks I have been reading comments online about the Penetration Testing with Kali Linux (PWK) course and OSCP exam taking a lot of flak for being “tool old” and using “outdated exploits that don’t even work anymore.”

I believe most of these comments are directed at the lab environment and course materials. It is true that you won’t find many systems in modern pentesting engagements that are exploitable with older things such as EternalBlue (MS17-010).

But that is beside the point.

The PWK and OSCP exam are all about teaching you how to think, solve problems, persevere, and develop a pentesting methodology that works for you.

It is true that Hack The Box (HTB) and other modern online capture-the-flag frameworks are more leading-edge in that regard, which is great, and they can certainly be an excellent way to augment and prepare for the PWK/OSCP journey.

But the point is that it really doesn’t matter if you drive a 2019 Ferrari 488 Spider or a 1996 Honda Accord, it is whether or not you figure out how to get to the destination.

Music Updates

It’s been a while since I posted any musical updates here, and I don’t have a ton to share, but I did get a surprise email from the venerable Jason Lowenstein the other day, with a remastered set of Crain’s studio appearance on WMBR in Boston back in 1991 that he had made.

The previous version of this, mastered by Bob Weston, who initially recorded it in the studio late that evening way back when, is still here on my Music downloads page, and it is great, but I thought I’d add Jason’s version for you to download in one fell swoop.

Grab it here.

Enjoy it, and let me know what you think!

http://web.archive.org/web/20131220092546im_/http://crainspeed.com/images/crain2.jpg
Crain, circa 1991. Photo by John Kampschaefer.

Picking a Master Lock M5 Magnum

As you may or may not know, I was a locksmith for the better part of a decade, working on campus at Warren Wilson College as a student, learning the trade as I earned my BA in psychology, then being hired to work there and train other students after I graduated for about 4 years. I also ran my own business (Chatham’s Lock & Key) for about two years, and I did a stint at Willis Klein up in Louisville for a summer.

So it was interesting to me that once I started attending information security conferences, I saw how popular lock picking has become among that otherwise computer-based hacking crowd. They have “lock picking villages” where you can learn to pick locks, contests to pit your skills against others, and there are now loads of videos and tutorials online for “locksport” enthusiasts.

I was resistant to get into “locksport” for a while, perhaps because I had “been there, done that,” but also because the phrase “locksport” annoyed me.

However, I lost that battle when I found my old lock pick set from back in the day, and then found myself working a Master lock I had in the garage. Check out my first contribution to the Locksport community in this video.

Stay tuned for more.

OWASP Attack Surface Detector Project

When I did a short work stint at Secure Decisions in 2018, one of the projects I got to work on was helping to create the Attack Surface Detector plugin for ZAP and Burp Suite. I left that position before the project got published, but I am happy to see that it was a success.

Here it is in all its glory.

From the OWASP description:

The Attack Surface Detector tool uncovers the endpoints of a web application, the parameters these endpoints accept, and the data type of those parameters. This includes the unlinked endpoints a spider won’t find in client-side code, or optional parameters totally unused in client-side code. It also has the capability to calculate the changes in attack surface between two versions of an application.

There is a video that demonstrates the plugin, and yes, that is me doing the voice-over.